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May 28

David Guetta And Chris Willis Ft Fergie And LMFAO – Gettin Over You x264 2010-FRAY

New music video from David Guetta And Chris Willis Ft Fergie And LMFAO titled “Gettin Over You” released by FRAY.

Description: A remix version of “Gettin’ Over” has been recorded with additional vocals of Fergie and Will.i.am. In an interview with Digital Spy, David Guetta said that this remix will be released as the fifth worldwide single of the album. In March 2010, David Guetta announced on his website that the official remix would be released on April 12, 2010 under the name “Gettin’ Over You” and Will.i.am had been replaced with American Electronic band, LMFAO. Redfoo from LMFAO told MTV News concept of song “The concept is, you’re in love with a girl and then you guys separate,” he said, then joked, “She probably got with Lil Jon or somebody,” before continuing, “So I’m gonna party till you come get me.”

The music video began production on April 20, 2010 with Rich Lee who has in the past filmed videos for the Black Eyed Peas The music video premiered on Tuesday, May 18, 2010.

Artist: David Guetta And Chris Willis Ft Fergie And LMFAO
Title: Gettin Over You
Genre: Trance
Rip date: 28/05/2010
Video Source: WEB
Audio Source: WEB

Release Name: David_Guetta_And_Chris_Willis_Ft_Fergie_And_LMFAO-Gettin_Over_You-x264-2010-FRAY_INT
Audio Quality: MP3 | CBR | 191 kbps
Video Quality: x.264 | 672×384 | 1351 kbps
Size: 54.74 MB
Runtime: 3min 13s
Download: HOTFiLE

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May 27

Kesha – Your Love Is My Drug-Promo CDM-2010-WUS

“Your Love Is My Drug” is a song by American recording artist and songwriter Kesha, from her debut album, Animal. The song was written by Kesha, Pebe Sebert and Joshua Coleman. It was produced by Dr. Luke, Benny Blanco and Ammo

Trakclist:
01. Your Love Is My Drug (Dave Aude Radio) 03:53
02. Your Love Is My Drug (Dave Aude Mixshow) 06:05
03. Your Love Is My Drug (Dave Aude Club) 07:33
04. Your Love Is My Drug (Dave Aude Dub) 06:40
05. Your Love Is My Drug (Bimbo Jones Radio) 03:09
06. Your Love Is My Drug (Bimbo Jones Club) 06:39

Release name: Kesha–Your_Love_Is_My_Drug-Promo_CDM-2010-WUS
Artist: Keha
Album: Your Love Is My Drug
Genre: House
Bitrate: avg. 194kbps
Size: 47,7 MB

Links: HOMENFONTi

Download: HOTFiLE

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May 27

Alexandra Burke – All Night Long -Promo CDM-2010-WUS

“All Night Long” is an uptempo song performed by British pop/R&B singer Alexandra Burke taken from her debut studio album, Overcome (2009).

Trakclist:
01. All Night Long (New Edit With Pitbull) 03:51
02. All Night Long (New Edit Without Pitbull) 03:51
03. All Night Long (Jason Nevins Remix) 04:01
04. All Night Long (Long Cahill Remix) 03:45

Release name: Alexandra_Burke–All_Night_Long-Promo_CDM-2010-WUS
Artist: Alexandra Burke
Album: All Night Long
Genre: Club

Language: English
Bitrate: avg. 185kbps
Size: 20,6 MB

Links: HOMENFONTi

Download: HOTFiLE

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May 27

Kelly Rowland ft. David Guetta–Commander-PromoCDS-2010-WUS

Here’s a new song from Kelly Rowland and Guetta.


“Commander” is a song performed by American R&B singer Kelly Rowland, written by Rico Love and produced by French DJ David Guetta. The extended remix was released on May 14, 2010 whils the main version was released four days later as the international lead single from Rowland’s as-of-yet untitled third studio album.

Track List:

    01. Commander (Radio Edit) 03:41
    02. Commander (David Guetta Mix) 05:57
    03. Commander (Extended Dance Mix) 05:47

Release Name:Kelly_Rowland_ft._David_Guetta–Commander-Promo_CDS-2010-WUS
Genre: House
Label: Universal
Quality: VBR mp3
Size: 21.69 MB
Rls Date: 2010-05-27

Links: NFODOWNLOAD

0 Comments
May 26

Paramore-The Only Exception-DVDRiP-x264-2010-MVHiTS

MVHits  comes with a new video from Paramore “The Only Exception”

It’s a ballad track appearing in Paramore’s third studio album “Brand New Eyes”. Concerning the release of the song, Hayley previously admitted that it’s a risky move to roll a tune that “wasn’t fast or quirky or upbeat and fun” like they usually do with the previous singles. Authors comments about this video:
“But it would be a chance for us to do something different,” she said. “There are other sides to the band too… you guys know that better than the rest of the world… and to see how people react to the side of us that isn’t sorta wild would be fun for us.”

Release Name: Paramore-The_Only_Exception-DVDRiP-x264-2010-MVHiTS
Genre: Rock
Audio Quality: MP3 VBR
Resolution: 656×368 (1.78:1)
Video Source: DVD (720×480)
Video Format: NTSC x264 (23.97 fps)
Video Bitrate: 677 kbps
Size: 28.1 MB
Links: NFONTi
Download: HOTFILE

0 Comments
May 26

Scene Tags

The tag is the name of the release. These release names give you information about the release instantly. More detailed information is written in the nfo file. Often these tags contain a lot of words and definitions which you may not understand. Below you can find definitions of tags.

PROPER:
Due to scene rules, whoever releases a certain release the first, has won that race. For example, when a group releases the CAM version of Titanic the first. If there is something "wrong" with the release (poor quality, out-of-sync, audio errors etc.) and another group has a better/correct version, it can release it and add PROPER to the release title to avoid being nuked. However, the source must be the same as the original release. For example: A poor quality CAM release by group A and group B releases their CAM release PROPER. A Telesync release doesn't PROPER a CAM release, because the source is different. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. The reason for the PROPER should always be mentioned in the NFO.

REPACK:
If a group releases a bad rip, they can release a Repack. A Repack is a fixed version of the original release. It's similar to PROPER but then done by the same group. Note that a Repack is different from a fix. A Fix will repair the original release whilst a repack is a new release.

Rerip:
A previous rip was bad, now it's ripped again properly. Similar to repack.

READNFO:
When something important is mentioned in the NFO or as a replacement for PROPER, READNFO can be added to the release title.

Movies

CAM (Camera):
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but often this won't be possible, so the camera may shake. Also seating placement isn't always ideal, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there's text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we're lucky, and the theater will be fairly empty and a fairly clear signal will be heard.

TS (Telesync):
A telesync has the same specs as a CAM, except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.

TC (Telecine):
A telecine machine copies the film digitally from the reels. Sound and picture should be quite good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film. Click here to read more about telecine.

SCR (Screener):
A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a "ticker" (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.

DVDSCR (DVD Screener):
Same premise as a screener, but transferred off a DVD. Usually letterboxed , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.

WP (Workprint):
A workprint is a copy of a film which has not been finished yet. There can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob). WP's can be nice additions to the collection once a good quality final has been obtained.

Retail DVD:
DVD's which are available in shops.

PAL / NTSC:
PAL and NTSC are two different video standards, the former being European, and the latter being American. PAL has a slightly taller screen (256 lines non-interlaced, non-overscanned) as opposed to NTSC (200 lines), so if you see the bottom portion of a program's screen getting cut off on your American machine, chances are the program was written for PAL, and is running on your shorter NTSC screen. PAL and NTSC differences are somewhat less important to European users; since their machines default to PAL, running an NTSC program is no more than a minor annoyance having the screen only appear in the top portion of the display.

BluRay:
This is the highest quality rip you're going find. Most of the time it is ripped into a HD format and presented in High Def Resolution (720i - 1080p). Please note that in order to play a HD video file, you will need a badass computer. Due to the nature of this resolution, there aren't really many videos presented in this way.

Other important tags for movies / dvd's

COMPLETE:
A release is COMPLETE when it's a DVD5. When a dvd is COMPLETE, it didn't need any adjustments and the video is therefore untouched.
Most dvd's though are DVD9, so they need to be compressed to DVD5. DVD5 is much more wanted since all dvd players can read these dvd's, and almost every dvd burner can burn them. DVD9 discs are less popular, they are more expensive and not many people can burn a DVD9.

LiMiTED:
A movie is LiMiTED when it has a limited theater run. Generally smaller films (such as art house films) are released as limited. The scene considers a movie limited when it has a generally opening in less than 300 UK theaters, or in less than 500 USA theaters. In the scene jargon, it's usually called 300 UK screens, or 500 USA screens. Officially, it's not the opening weekend's number of theaters that counts, but the peak of the number of theaters. For example; when a movie has 275 UK screens in the opening weekend, and 1 week later it has 325 screens, it's not limited.

STV:
STV stands for Straight To Video. These movies were never released in theaters, instead, they were immediately released on video/dvd. Therefore, a lot of sites do not allow these movies.

FESTiVAL:
This is a variation of STV/LiMiTED. A FESTiVAL is a movie which hasn't been shown in a public theater, but has been shown on a filmfestival (such as Cannes Film Festival). An example of a FESTiVAL movie is Hot Tamale (imdb), which has not been in a public theater, but it was shown on the Newport Beach Film Festival.

iNTERNAL:
An internal release is done for several reasons. The most common reason is because it has already been released before, and with iNTERNAL in title, the release won't be nuked. iNTERNAL's are quite common. Also lower quality theater rips are done iNTERNAL so it doesn't lower the reputation of the group. An iNTERNAL release is available as normal on the groups affiliate sites, but they can't be traded to other sites without request from the site ops. Although a release is iNTERNAL, it still can be very popular. For mp3's the interla-tag is different. For mp3 releases it's releasetitle-year-Group_iNT. That way the internal release won't be calculated into the group's stats. This avoids mp3 groups from doing a lot of internal releases, since they would just do that to get better stats. Some groups rename iNTERNAL to iNT, since this much shorter.

Subbed:
If a release is subbed, it usually means it has hard encoded subtitles burned throughout the movie. These are generally in malaysian/chinese/thai etc, and sometimes there are two different languages, which can take up quite a large amount of the screen. SVCD and DVD support switchable subtitles, so some DVDRips and most DVD's are released with switchable subs.

Unsubbed:
When a movie has been release subbed before, an unsubbed release may be released.

Custom.Subbed:
A release can also be custom subbed. Movies often are released earlier in the USA than in Europe. These movies mostly contain a few subtitles, the ones that are spoken in the USA. European groups can create custom subtitles and add these to the dvd(rip). For example, when Dutch subtitles were added to a NTSC DVDr: Madagascar.2005.Custom.NL.Subbed.NTSC.DVDr-Group. Off course, it's not just European, also Japaneese movies can be subbed english for example.

Dubbed:
If a film is dubbed, it is a special version where the actors' voices are in another language. Dubbed versions of English-language films are for people who don't understand English very well. In some countries, dubbing is very common, for example Germany.

SE:
SE stands for Special Edition. Like the name says, it's a special dvd edition of a movie. Often special editions contain extra material like deleted scenes, interviews, or a making-of.

DC:
DC stands for Director's Cut. A director's cut is a specially edited version of a movie that is supposed to represent the director's own approved edit of the movie. It is often released some time after the original release of the film, where the original release was released in a version different from the director's approved edit. 'Cut' is synonymous with 'edit' in this context.

Extended:
Sometimes movies are released again on DVD because now the movie is extended. They have put back deleted scenes. For example, E.T. was produced first in 1982 and years later it was brought on DVD again, but now digitally remastered and extended.

Digitally Remastered:
Digitally remastered means that an older not-digital movie has been re-editted, remastered and is released on DVD. Some really old movies look very bad compared to the new digital movies. Then they remaster it to make it look better, edit & recolor the video, etcetera. Remastering generally implies some sort of upgrade to a previous existing product, frequently designed to encourage people to buy a new version of something they already own.

Rated/Unrated:
Rated means a movie is censored, unrated logically means uncensored.

R1, R2, R3, R4, R5, R6 (Region Code):
A dvd is released in a certain geographical area, or region and it's not viewable on a dvd player outside of that region. This was designed to stop people buying American dvd's and watching them earlier in other countries, or for older films where world distribution is handled by different companies. A lot of players can either be hacked with a chip, or via a remote to disable this. The regions are:
Region 1 - U.S., Canada, U.S. Territories
Region 2 - Japan, Europe, South Africa, and Middle East (including Egypt)
Region 3 - Southeast Asia and East Asia (including Hong Kong)
Region 4 - Australia, New Zealand, Pacific Islands, Central America, Mexico, South America, and the Caribbean
Region 5 - Eastern Europe (Former Soviet Union), Indian subcontinent, Africa, North Korea, and Mongolia
Region 6 - Peoples Republic of China

Sources:
DVDrip: A rip of the final released DVD. If possible this is released pre retail (for example, Star Wars episode 2). The quality of DVDrips is very good. DVDrips are released in SVCD and DivX/XviD.

VHSRip:
Transferred off a retail VHS, mainly skating/sports videos and XXX releases.

TVRip: TV episode that is either capped from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain "dogs" but sometimes have flickers etc). PDTV is capped from a digital TV PCI card, generally giving the best results. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.

Formats:

XViD/DivX (Digital Video Express):
DivX is a format designed for multimedia platforms. It uses two codecs, one low motion, one high motion. Most older films were encoded in low motion only, and they have problems with high motion too. A method known as SBC (Smart Bit-rate Control) was developed which switches codecs at the encoding stage, making a much better print. The format is anamorphic and the bitrate/resolution are interchangeable. The majority of proper DivX rips (not Re-Encs) are taken from DVDs, and generally up to 2hours in good quality is possible per disc. Various codecs exist, most popular at the moment is XviD. The formal most popular codec was DivX.

CVD:
CVD is a combination of VCD and SVCD formats, and is generally supported by a majority of DVD players. It supports MPEG2 bit-rates of SVCD, but uses a resolution of 352x480(ntsc) as the horizontal resolution is generally less important. Currently no groups release in CVD.

Music

TV: Audio from television material
Radio: Audio from radio material
WEB: Audio downloaded from an online music store
VLS: Vinyl Single (1-2 tracks)
EP: Vinyl Maxi-single (2-5 tracks)
LP: Vinyl Full-length Album
CDS: CD Single (1-2 tracks)
CDM: CD Maxi-single (2-5 tracks)
CDR: CD-Recordable (CD-R)
DVD: Audio from a DVD. Often cabaret shows or concert/music dvd's.
Promo: Promotional
XX: Imported
RETAiL: Retail
Liveset: A record of a DJ mixing live. Mostly recorded using:
- DAB: Digital Audio Broadcasting is a system used to broadcast radio programmes.
- SAT: Music broadcasted via satellite channels.
- CABLE: Music broadcasted by radio channels via cable radio.

Labelcode/Catnumber:
This is a code which is like a unique code for every music cd/vinyl/etc. The code isn't just some number, but it contains values which are recognisable. For example: Catnumber: WNRD2371 is a cd from WieNerwoRlD Ltd.

Clean:
The music is censored. Generally sexual or violent words, which are replaced by 'bleeps' or stripped.
Explicit: The music is not censored.

TV

HDTV (High Definition Televison):
Digital recording from a source stream at either 1080i or 720p at a bitrate from 19,39mbps or higher.

PDTV (Pure Digital Television):
Other resolution digital recordings from source streams at a bitrate of 10+mbps or higher. It is a label given to files that were ripped directly from a purely digital source, having less resolution than HDTV. This is accomplished by using a TV tuner card capable of receiving Digital Video Broadcasts or C-Band.

SDTV (Standard Digital Television):
Digital recording or capture from a source stream at any resolution with bitrate under 10mbps.This includes DirecTiVo but also captures from digisat or digicable with analog capture cards.

TVRip (Analoge TV Rip):
Recorded from analog TV, lowest quality of all TV rips.

Season/Episode code:
A code which shows the season and episode of a tv show.
For example: S01E12 is season 1 episode number 12.

DVB (Digital Video Broadcast):
The standard for direct broadcast television in Europe and the US Based on MPEG2 Compression.

DSR (Digital Satellite Rip):
Recorded from Digital Satellite, quality is similar to PDTV.

PPV (Pay Per View television):
Pay television programming for which viewers pay a separate fee for each program ordered.

0DAY/APPS

AIO
AIO stands for All-In-One, meaning an all-in-one software pack. For example: Microsoft Office, which contains Word, Frontpage, Publisher, Access etc.

RTM
RTM means Release To Manufacturing. This release is leaked before it's available in stores. A RTM version of a software title is the final retail version, the one that you will be seeing in stores.

VLM
VLM stands for Volume License Key. This means that the cracked application is already licensed, and therefore doesn't require an activation after installation.

Crack Type
For example crack or keygen.

PSP

UMDRip
Yhis applies only to Playstation Portable (PSP) games, and it means that some stuff was ripped from the original game because it was not required or was ripped to save space. For example languages or movie files.

UMDMovie
The Playstation Portable (PSP) is also capable of playing movies. Though a PSP can't playback DVD's or CD's, only UMD discs. So movies for the PSP get released on UMD discs.

PSXPSP
This is a PSX (Playstation 1) game playable on a PSP (Playstation Portable) using custom PSP firmware.

USA, JAP, EUR
Especially PSP releases, but also other console releases, are sometimes tagged as USA, JAP and EUR. These are alternative regions, and they replace PAL and NTSC. USA are off course the United States of America, JAP is Japan and EUR is Europe.

256MS, 512MS, 1GB and 2GB
These tags only apply to PSP releases, and they show the required size of an UMD disc. UMD discs can contain up to 2 gigabytes. When a game is 100mb it fits on every UMD disc, but when a game is 900mb it will only fit on 1GB and higher UMD discs.

0 Comments
May 26

Movie Formats

VCD


VCD is an mpeg1 based format, with a constant bitrate of 1150kbit at a resolution of 352×240 (NTCS). VCDs are generally used for lower quality transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make smaller file sizes, and fit as much on a single disc as possible. Both VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an mpeg, it may appear larger than the disc capacity, and in reality u can fit 74min on a CDR74.

SVCD


SVCD is an mpeg2 based (same as DVD) which allows variable bit-rates of up to 2500kbits at a resolution of 480×480 (NTSC) which is then decompressed into a 4:3 aspect ratio when played back. Due to the variable bit-rate, the length you can fit on a single CDR is not fixed, but generally between 35-60 Mins are the most common. To get a better SVCD encode using variable bit-rates, it is important to use multiple “passes”. this takes a lot longer, but the results are far clearer.

XVCD/XSVCD


These are basically VCD/SVCD that don’t obey the “rules”. They are both capable of much higher resolutions and bit-rates, but it all depends on the player to whether the disc can be played. X(S)VCD are total non-standards, and are usually for home-ripping by people who don’t intend to release them.

DivX / XviD


DivX is a format designed for multimedia platforms. It uses two codecs, one low motion, one high motion. most older films were encoded in low motion only, and they have problems with high motion too. A method known as SBC (Smart Bit-rate Control) was developed which switches codecs at the encoding stage, making a much better print. The format is Ana orphic and the bit-rate/resolution are interchangeable. Due to the higher processing power required, and the different codecs for playback, its unlikely we’ll see a DVD player capable of play DivX for quite a while, if at all. There have been players in development which are supposedly capable, but nothing has ever arisen. The majority of PROPER DivX rips (not Re-Encs) are taken from DVDs, and generally up to 2hours in good quality is possible per disc. Various codecs exist, most popular being the original Divx3.11a and the new XviD codecs.

CVD


CVD is a combination of VCD and SVCD formats, and is generally supported by a majority of DVD players. It supports MPEG2 bit-rates of SVCD, but uses a resolution of 352×480(ntsc) as the horizontal resolution is generally less important. Currently no groups release in CVD.

DVD-R


Is the recordable DVD solution that seems to be the most popular (out of DVD-RAM, DVD-R and DVD+R). it holds 4.7gb of data per side, and double sided discs are available, so discs can hold nearly 10gb in some circumstances. SVCD mpeg2 images must be converted before they can be burnt to DVD-R and played successfully. DVD>DVDR copies are possible, but sometimes extras/languages have to be removed to stick within the available 4.7gb.

copied from vcdquality.com

0 Comments
May 26

Nuke Dictionary

If you’re a hardcore scener, you can probably leave this page right now, there’s no use in reading following paragraphs for you. However, there are also many people who are not so familiar with a scene slang and that’s why we decided to collect a list of most common nuke reasons and explain them for you. This way, you will always know what to expect from a release which is nuked.

These nukes are based on TDX 2005.

stolen.from.p2p – lately a very popular and common nuke reason. This basically means that the scene group which pred the release stole it from another source – specifically a peer to peer network (p2p) in this case. In most cases, this means a private BitTorrent tracker, which obtained and released the copy of a movie faster than any other scene source. This nuke reason will not affect your viewer’s experience and many sceners consider it useless as we basically steal the movies anyway.

stolen.src – stolen source. Similar or same as the above nuke reason. Scene groups can steal the video or audio also from each other, apart from stealing from peer to peer networks.

bad.res – bad image resolution. The scene rules define allowed image resolutions and their aspect ratios. If a movie doesn’t fit in these rules, it means the image will be probably malformed in a certain way. Many advanced video players allow to change the image resolution, so this can be sometimes fixed at your computer.

bad.ar – bad aspect ratio. A similar reason to the above one. Each video was originally filmed and released in a specific aspect ratio (horizontal vs. vertical side). The most common AR is 2.35:1 which is for example a resolution of 640×272 pixels. Bad aspect ratio leads to inproportional image, where characters appear to be either too wide or, more often, too tall. This can be also fixed with some media players.

dupe – dupe means simply a dupe. The nuked release was already released by another group earlier, so the nuked one is basically useless, doubled. This doesn’t really matter if you don’t care about the strict scene rules.

undersized – a release is nuked for being undersized when it doesn’t fully use the capacity of one or two CDs. This means that the final rip is for example 680 MB, while it could be 700 MB and offer a better quality of image and audio. Once again, this is not a serious deal unless it’s undersized by hundreds of megabytes.

oversized – guess what.

bad.crop, overcropped – movies on DVD contain black parts of the image above and below the actual video. In order to decrease the final size and offer the best possible quality, these black parts must be removed before encoding and releasing in xvid. Sometimes, scene groups don’t properly remove / crop these parts and it means that the image misses top or bottom part, therefore you don’t see the whole scene. Cropping is often used also for removing watermarks or hardcoded subtitles, but it still means a serious loss of the image. The other, not so common extreme, is when a group forgets to remove these black boxes.

bad.ivtc, no.ivtc – quite a common nuke reason which affects mostly lower-quality releases. IVTC means “inverse telecine” and it’s basically a process of converting a movie (usually PAL) with high FPS (30 frames per second) to lower FPS (for example 24) in order to save space and offer better image quality. This conversion often goes wrong (bad.ivtc) or completely lacks (no.ivtc, lazy sceners)). As a result, the image appears to be jerky and the final release uses too much space for no reason.

interlaced – the image contains visible black lines, which often cause the video to be completely unwatchable. These black lines are visible mostly during movement on the image and are caused by incorrect field order. I won’t go into details explaining the reasons for this – it’s caused by different way of displaying frames and fields (half-frames) in the video, more details are available for example here. It’s highly recommended to not download any interlaced release.

cbr.audio – audio can be either CBR (constant bit rate), or VBR (variable bit rate). According to the scene rules, all releases should contain VBR audio, so any release with CBR is instantly nuked. Variable bit rate allows better quality, according to the current sound, while constant one sets the same quality for the whole movie, including the quiet parts. However, releases with AC3 audio almost always use CBR. It’s often hard to distinguish the difference between CBR and VBR for an untrained ear, so this nuke reason isn’t too serious if you don’t care about the rules.

bad.fps – bad frame rate. The frame rate should be close to the original framerate. Not a very common nuke reason, but it’s better to beware any release with this nuke.

mislabeled – a release trying to look like a better quality rip. A good example would be an R5 rip from Russian video source released as dvdrip – the difference isn’t that big in this case and scene groups always get more props for releasing dvdrips. The another case can be a typo or wrong year in the release name.

grp.req – a nuke requested by the release group. Happens when a scene group releases something and realize it’s completely wrong, not working or simply bad, so they request a nuke.

oos, out.of.sync – out of sync, audio isn’t synced with video. Extremely annoying mistake which makes most of such release completely unwatchable. This happens very often with cams, telesyncs and telecines, which require a synchronization of audio and video from different source. Some releases are completely out of sync, while others have this problem only for a few seconds or minutes.

bad.pack – bad packing. The group didn’t pack their release properly, according to scene rules. This means they either forgot to pack it into 15/20/50 MB RARs or it’s completely impossible to unpack it.

invalid.proper – proper is a release fixing other, previously nuked release. When a certain group releases proper and the first release is actually fine, the new one becomes nuked for invalid proper.

qpel.not.allowed – qpel or quarter pixel is a feature of modern encoding codecs such as H.264 which allows better and more efficient compression. Videos encoded with quarter-pixel precision motion vectors require up to twice as much processing power to encode, and 30-60% more processing power to decode. Thus, such releases often cause software problems or are completely unplayable at certain DVD players.

ghosting – annoying feature of a release, which result into ghost effect during every movement in the movie. It’s caused by inproper encoding and can’t be easily fixed.

field.shifted, dupe.frames, blended.frames, custom.quant.matrix – other mostly serious faults affecting the image, caused during encoding the final video.

divx.not.allowed, no.audio, missing.audio, get.rerip, get.proper – no need to explain these I guess…

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May 26

Movie Sources

CAM


A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn’t always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there’s text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we’re lucky, and the theater will be fairly empty and a fairly clear signal will be heard.

TELESYNC (TS)


A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.

TELECINE (TC)


A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film.

SCREENER (SCR)


A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a “ticker” (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.

DVD-SCREENER (DVDscr)


Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.

R5


This is fairly new movie format. Basically the same as DVD Screener – this kind of release is legal DVD released in Russia to decrease the level of pirated movies in this country. Retail is rushed out by the studio, so there is little to no cleanup of the film after the telecine process. As a result, you can see some scratches, hairs or other mess on the picture, but you will hardly notice it while watching. External English audio is often used, as these are supplied with Russian sound by default.

DVDRip


A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.

VHSRip


Transferred off a retail VHS, mainly skating/sports videos and XXX releases.

TVRip


TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain “dogs” but sometimes have flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the “dark matches” and camera/commentary tests are included on the rips. PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.

WORKPRINT (WP)


A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob) . WPs can be nice additions to the collection once a good quality final has been obtained.

DivX Re-Enc


A DivX re-enc is a film that has been taken from its original VCD source, and re-encoded into a small DivX file. Most commonly found on file sharers, these are usually labeled something like Film.Name.Group(1of2) etc. Common groups are SMR and TND. These aren’t really worth downloading, unless you’re that unsure about a film u only want a 200mb copy of it. Generally avoid.

Watermarks


A lot of films come from Asian Silvers/PDVD (see below) and these are tagged by the people responsible. Usually with a letter/initials or a little logo, generally in one of the corners. Most famous are the “Z” “A” and “Globe” watermarks.

Asian Silvers / PDVD


These are films put out by eastern bootleggers, and these are usually bought by some groups to put out as their own. Silvers are very cheap and easily available in a lot of countries, and its easy to put out a release, which is why there are so many in the scene at the moment, mainly from smaller groups who don’t last more than a few releases. PDVDs are the same thing pressed onto a DVD. They have removable subtitles, and the quality is usually better than the silvers. These are ripped like a normal DVD, but usually released as VCD.

source: vcdquality.com

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May 25

Snoop Dogg More Malice (JP Bonus Tracks) 2010-VAG

Here we have two Bonus Track of Snoop Dogg’s  More Malice brought us by VAG.

Label: Priority
Genre: Hip-Hop
Quality: VBS kbps
Time: 07:54 min
Size: 10.40MB

Tracklist:
01. I Wanna Rock (J-Mix Feat. Kayzabro DS455)  3:58
02. I Wanna Rock (Instrumental)  3:56

Release name: Snoop Dogg More Malice (JP Bonus Tracks) 2010-VAG
Links: HomepageAmazonWikiMyspace

Download: HOTFiLE

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